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Additional Info
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ComposerAugusta Read Thomas
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PublisherG Schirmer Inc
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ArrangementAlto Sax/Piano Accompaniment (ASAX/PFA)
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FormatScore
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Genre20th Century
Description
This is a piano reduction of the original Hemke Concerto 'Prisms of Light' for alto saxophone and orchestra, described below:
The dramatic Hemke Concerto, “Prisms of Light” (2014) was commissioned as a retirement gift for legendary saxophonist and pedagogue Frederick L. Hemke by many of his students past and present. (Hemke was Thomas’s colleague during her years on the faculty of Northwestern University.) Hemke Concerto represents a new high point for Thomas’s pursuit of the luminous—the music truly explodes with sun-infused vigor. The four sections bear typical Thomas titles: Illuminations, Sunrise Ballad, Chasing Radiance, and Solar Rings. The work overall possesses a fast—slow—fast shape, with the duration of the first, second, and third/fourth (combined) sections forming equal thirds of about seven minutes each. The opening “Illuminations” begins with a blaze. The orchestra and saxophone interact spiritedly, with the orchestra often merging the saxophone into its glittering texture. The second section begins slowly and lyrically, and gradually builds in intensity to a sonorous climax. The short third section is a scherzo-like caprice and leads into the final “Solar Rings”—music that raises the energy and luminosity of the opening to a new height, before ending in one of Thomas’s most ecstatic blazes. This concerto is music that almost requires the listener to wear sunglasses—exploring fully the saxophone’s capacity for both lyrical, human expression and glorious, otherworldly color.
- Carson Cooman
The dramatic Hemke Concerto, “Prisms of Light” (2014) was commissioned as a retirement gift for legendary saxophonist and pedagogue Frederick L. Hemke by many of his students past and present. (Hemke was Thomas’s colleague during her years on the faculty of Northwestern University.) Hemke Concerto represents a new high point for Thomas’s pursuit of the luminous—the music truly explodes with sun-infused vigor. The four sections bear typical Thomas titles: Illuminations, Sunrise Ballad, Chasing Radiance, and Solar Rings. The work overall possesses a fast—slow—fast shape, with the duration of the first, second, and third/fourth (combined) sections forming equal thirds of about seven minutes each. The opening “Illuminations” begins with a blaze. The orchestra and saxophone interact spiritedly, with the orchestra often merging the saxophone into its glittering texture. The second section begins slowly and lyrically, and gradually builds in intensity to a sonorous climax. The short third section is a scherzo-like caprice and leads into the final “Solar Rings”—music that raises the energy and luminosity of the opening to a new height, before ending in one of Thomas’s most ecstatic blazes. This concerto is music that almost requires the listener to wear sunglasses—exploring fully the saxophone’s capacity for both lyrical, human expression and glorious, otherworldly color.
- Carson Cooman